While the latter doesn't appear in the film in a physical sense, his presence is felt throughout. Voldemort sets Draco Malfoy out on a secret but important mission inside Hogwarts, while Harry finds and becomes obsessed with a book belonged to "The Half-Blood Prince" amidst his ongoing battle with Voldemort. And “The Weasley Stomp,” a lively orchestral dance with gorgeous timbres, is a nice send-off.Half-Blood Prince is perhaps the most plotting of the 8 films, taking its time with the ongoing Voldemort conflict, but the pay-off is about as satisfying as anything the franchise had presented to that point. “Wizard Wheezes,” a big band-style workout, did not appear in the movie, but nicely fits into the album’s flow. By contrast, “When Ginny Kissed Harry,” which accompanies a key moment in the narrative, is romantic in flavor. One striking cue is “Inferi In the Firestorm,” where Hooper turns to the dissonance of the Second Viennese School of Schoenberg, et al, for inspiration. (In the film, “In Noctem” is heard over the closing credits.) The soundtrack is both varied and thoroughly cohesive. The album’s second cut, “In Noctem,” a choral piece featuring Latin lyrics, includes musical material that reappears throughout the score. The pair worked together on the Brit TV series, The Girl In the Café and the feature film, Harry Potter and the Order of the Phoenix, and the score that Hooper composed for the Yates-directed Harry Potter and the Half-Blood Prince is excellent. British composer Nicholas Hooper and British director David Yates have a track record of successful collaboration.
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